Corporate
London-based Wilding Sound has introduced RCF to its rental fleet for the first time. 

It has made an initial purchase of eight HDL 6-A composite line array enclosures, with four SUB 8004-AS single 18” subwoofers, along with flyware and pole mount accessories. They swiftly followed this up by adding a further four HDL 6-A.

At the same time Wilding Sound purchased flight cases to hold three HDL 6-A per case to allow ease of dry hire, with space for fly-ware in the back.

“This will give us many options and permutations,” said director, Matt Stolton. Among them is the ability to fly the HDL 6-As and deploy the subs in a mono centre spaced array with the aid of their winch stands and truss.

Although this is their first foray into RCF’s cutting-edge line array technology, Wilding Sound’s own history dates back to the 1970s, installing everything from bus station voice alarms to pubs — and retail. 

When they were ready to upgrade to a small format line array box they embarked on a journey that would lead them to RCF. “Our old FOH system just wasn’t cutting it,” said Stolton, “and was too small to cope with the larger events we were trying to run it on. Whatever we chose needed to offer flexibility and value for money and provide a solution for every job — from small festival stages, as much as corporate conference work and events catering for up to 500-600 people.” They saw the HDL 6-A at PLASA 2018 and were immediately impressed. “The more I looked at it, the more I realised it was a perfect fit,” he continued. “And once we had heard it, it was a done deal.
Installation
La Catedral de San Lorenzo, resplandeciente ante el paisaje del lago de Lugano y las laderas de los Alpes, se alza sobre el centro del pueblo suizo de Lugano. La iglesia, construida en el siglo XI, es una de las más antiguas de Suiza. En 2011 se inició un programa de restauración integral que incluía la reciente instalación de un nuevo sistema de sonido basado en los altavoces de columna orientables digitalmente VSA de RCF. 

El sistema lo instaló CEM Audio & Light, una empresa con sede en Bellinzona. “Para el sistema de sonido que instalamos en la Catedral de San Lorenzo de Lugano, elegimos los altavoces VSA 2050 y VSA 1250 de RCF”, comentaVirgilio Kohler, propietario de CEM. “Los altavoces de columna de RCF ofrecen un patrón de cobertura ideal en entornos acústicamente complicados como la Catedral de San Lorenzo”, añade.

Teniendo en cuenta las condiciones arquitectónicas y la adaptabilidad a las restricciones del edificio y a las limitaciones electroacústicas, el Grupo de Asistencia de Ingeniería de RCF ayudó al cliente a adoptar este sistema. Los coordinadores de instalación optaron por los altavoces orientables digitalmente para ofrecer la mejor inteligibilidad de la voz en un entorno con colas de reverberación naturales de hasta 4 segundos en el intervalo de frecuencias de la palabra.

“Colocamos cuatro VSA 2050 en las columnas a lo largo de las naves laterales en un patrón simétrico. Cubren el área de la nave central (el alcance operativo de cada altavoz es de hasta 15 metros), ofreciendo una inteligibilidad impecable en la voz y una buena relación de señal-ruido en una amplia respuesta de frecuencia. Esto permite a los fieles participación y disfrutar de la misa de forma muy cercana”, explican los técnicos de RCF.respuesta de frecuencia “Con sus 20 altavoces orientables individualmente, los VSA 2050 permiten una dispersión vertical de entre 10° y 30°, así como una orientación vertical de entre 0° y 40°. Con ello podemos centrar el sonido en la zona que queramos y evitar rebotes no deseados, garantizando la mayor inteligibilidad posible de la voz, incluso en entornos con largas colas de reverberación natural como este”.

El otro componente principal del sistema está compuesto por cuatro altavoces de columna VSA 1250. Ofrecen las mismas características que los VSA 2050, pero tienen 12 altavoces. Este modelo se eligió para cubrir el altar y las zonas de visitantes que se utilizan en los grandes eventos. Para el coro, los ingenieros instalaron el TT051-A, un altavoz amplificado ultracompacto de la gama profesional TT+ de RCF. Este altavoz se puede integrar de forma sutil y discreta en cualquier espacio. Todos los altavoces se controlan de forma individual y se pueden activar o desactivar según se desee. La gestión de todo el sistema de altavoces VSA y TT+ se lleva a cabo mediante el software de control y monitorización RDNet. Los altavoces VSA se pueden controlar a distancia por medio del control remoto Smart RC y la aplicación VSA Remote, disponible para su descarga en las tiendas de aplicaciones de iOS y Android.
Corporate
The RCF installation catalog extends the speaker range, assisting the architect and installer with application-focused series of high-quality speakers. Designed for voice alarm applications EN54, the ceiling installation MF33EN speaker, and the wall mount WMF33EN speaker open up a new unobtrusive design philosophy. With five models announced from 5” to 12” woofer size, the COMPACT M series is perfectly suited to every environment with sleek and neutral design, providing excellent acoustic performance for both background and foreground music.

The MR 50 / MR 40 bass reflex speakers for A/V monitoring and reliable fixed installations, both indoor and outdoor, are also available —in both black and white options. Following the success of the passive C-MAX speakers in the high-powered near-field speaker segment, the high-power E-MAX 3112 and 3110 extend the flexibility in the entertainment installation market with a complete range of rigging accessories. Three RDNet compatible Vertical Steerable Array models VSA II, with improved quality for highly reverberant spaces, will be presented on the booth.

The HDL 26-A and HDL 28-A compact line array modules add to the powerful HDL family. RDNet, RCF’s on-board proprietary network control and monitoring system now in version 3.1, is featured in both the products. Broadly appreciated, and globally used as the primary portable system for on-the-go conferences, events, musicians and DJs, the EVOX self-powered speakers J8 and JMIX8 are gaining global attention. The JMIX8 includes a studio-quality 8-channel digital mixer with remote control and Bluetooth audio streaming. Both the speakers are available in black and white.

The RCF TT+ line is poised to build on the no-compromise Touring & Theatre philosophy. Expanding on the TTL 6-A column array system, RCF has developed a new concept of flexible arrayable speakers, the TT 4-A Series. Variable waveguides: 100° x 25°, 100 x 50° and 60° x 25° dispersion, an innovative rigging concept, RDNet, rotatable enclosure and swappable components, the TT4A will soon be known as the “MacGyver Solution” of the RCF line and features RDNet and FiRPHASE processing for 0° phase response.

On the back of the successful of the DXT 3000 platform for medium to mid sized distributed voice alarm system, RCF announces the DXT 3000 Planner, an interactive planning software which performs all the mathematical calculations for installations in low-reverberant environments with reduced background noise. 

RDNet Networked Management System sees great improvement with the release of version 3.1. Real-time Air Compensation and the new Bass Shaper function will help the system engineer with tuning and correcting low frequencies while maintaining the desired tonal balance on the entire system. Shape Designer two-dimensional system design software is also now included within RDNet. 

RCF will have an active role on the ISE educational program AudioForum, organized in partnership with Audio Engineering Society. The seminar, presented by Andrea Capra, RCF R&D Engineer, will introduce the FiRPHASE technology and the RCF approach to digital filtering.


ISE 2019, Amsterdam – RAI, Booth 7-N220
Event
Vibration Tour 2018, the summer tour of free concerts, was a success for Vibration Radio, a private French music radio station born in 1981. Four free concerts in the Center-Val de Loire region, provided an opportunity to bring together the artists of the moment, along with more than 72,000 people in the Center-Val de Loire region: Tours, Blois, Le Mans, Orléans, and Châteauroux. Different cities, different atmospheres, different artists such as Amir, Bob Sinclar, Boostee, Tal, Emmanuel Moire, Dadju, Kendji Girac, Soprano, Jeremy Frerot, Joyce Jonathan, Boulevard des Airs, Kungs and many others.

Vibration renewed its trust in XCPH Organization, the event company behind the tour, who were in charge of the whole management and technical production. With 30 years of experience, a vast fleet of trucks and 2000 square meters of warehouses full of first-class equipment, XCPH is not a traditional rental company.

“I have worked with RCF France since the beginning of this project, more than four years ago, and the choice of RCF was rather obvious. XPC is primarily an event company, so it does not have to answer to technical riders as a classical rental company; we can make our own choices based on our needs,” states Nicolas Fournier, technical director of XCPH Organization “I needed an excellent sound system, with effective networked control and a practical rigging system that only RCF could provide … not to mention the unbeatable price versus quality ratio.” 

The touring package comprised two clusters of 12 HDL 30-A, 10 SUB 9006-AS in different configurations depending on location - cardioid mode or end-fire (which allows the bass to be opened a little more on the outside and projected in front), two delays with four HDL 30-A, four HDL 6-A as front-fills and two outfills with TT5-A. This was all managed through the CR16 (CONTROL8 and DX1616 matrix).
Installation
Founded in the nineteenth century, Frankfurt University of Music and Performing Arts has it all – a rich history, a leading position among institutes of its kind, and a reputation for excellence in the performing arts. It offers more than 20 music, theater and dance programs attended by over 900 students.

The university recently put out a tender for a public address system to be installed in its foyer. Speech and music figure prominently at a college for the performing arts, so the prospective PA would have to satisfy some very lofty expectations. The foyer was to be covered from three angles with a directional system designed to the given architectural specifications. This PA would also have to tame the complex acoustics of a room with ceilings of different heights, a two-storey auditorium, and coverage zones with depths ranging from 15 to 25 meters. This client had some very specific ideas about size, looks and placement. Cabinets were to have a height of around 115 centimeters and be placed at a relatively flat angle so as not to jut out from the walls.

Auditions were held; the NXL 24-A came out on top. Made by the Italian vendor RCF, the NXL 24-A is an active line source speaker equipped with four custom-developed 6" RCF transducers, a compression driver with a 2.5" voice coil, and an asymmetrical horn with -25° / + 5° vertical and 100° horizontal directivity.

To meet Germany’s very strict fire safety regulations for public venues, RCF worked with the general contractor to develop a passive version of this speaker, with power amps housed in a remote central rack placed around 40 meters from the speakers.
Corporate

The Loudspeaker System Showcase will run twice daily, Thursday – Saturday, featuring a music track as selected by a popular vote of participating companies and hosted by a neutral industry expert. NAMM Show attendees can also engage with the companies in their respected spaces in the Showcase to trial portable systems.

The new HDL-28A compact line array will be the featured flown system, along with the EVOX JMIX8 and J8 being demonstrated in the portable system category.

RCF is presenting several new products at The NAMM Show 2019. The HDL 26-A and HDL 28-A compact line array modules, three flyable complementary subwoofers HDL 35-ASHDL 36-AS, and HDL 38-AS add to the powerful HDL family. RDNet, RCF’s onboard proprietary network control and monitoring system, is featured on all these exciting new products.

The tour-ready D-Line, HD 15-A, and HD 35-A, are the latest additions in the 15” powered speaker family, with an innovative design and top-of-the-line performance. The ultra-high powered HDM 45-A is sure to be a crowd pleaser with a 2000 Watts amplifier and RDNet control.

The RCF TT+ line is poised to build on the no-compromise Touring & Theatre philosophy. Expanding on the TTL 6-A column array system, RCF developed a new concept of flexible arrayable speakers, the TT 4-ASeries. Variable waveguides: 100° x 25°,50° and 60° dispersion, an innovative rigging concept, RDNet, rotatable enclosure, and swappable components, the TT 4-A will soon be known as the “MacGyver Solution” of the RCF line.

RDNet Networked Management System sees great improvement with the release of version 3.1. Real-time Air Compensation and the new Bass Shaper function will help the system engineer with tuning and correcting low frequencies while maintaining the wanted tonal balance on the entire system. Shape Designer two-dimensional system design software is also now included within RDNet.

The RCF NAMM booth is the launch pad of the compact M 20X Digital Mixing Console, featuring motorized faders, multitrack recording, remote WiFi control, multimode PEQ, and many other technologies evolved directly from the acclaimed M 18 mixing platform. The RCF family of mixing consoles introduces F Series Mixers, comprising of four consoles from six to 16 channels, offering multi-FX, Single Control Compressors, and USB Recording capabilities. AYRA PRO Studio Monitors defines a new horizon in reference monitoring, featuring an outstanding 0° linear phase response for the first time in its class.

 
DON'T MISS THE CHANCE TO VISIT US!
BOOTH 18310
NAMM 2019
January 24-27, Anaheim, California
RCF LOUDSPEAKER SYSTEM SHOWCASE SCHEDULE 
Thursday 1/24/19
 3:00 p.m.
Friday 1/25/19
  4:00 p.m.
Saturday 1/26/19
 1:20 p.m.
Event
The Eastern States Exposition, known as “The Big E,” set another attendance record this year with over 1.5-million visitors. It’s the only event in the country with a state fair-like structure in the nation where more than one state participates (six New England states partake). The 17 day event features daily Mardi Gras parades, a big top circus spectacular, 4-H and agriculture exposition, giant midway, car shows and daily entertainment on five stages.

All-in-all, the Big E schedule included over 200 shows on those stages. Massachusetts-based SCL Sound Systems has been providing production at The Big E for almost two decades. This year, owner and Production Manager Scott LaRochelle made the decision to use RCF powered speakers across all of the fair’s major stages. To accomplish this task, LaRochelle reached out to AudionX, a Vermont-based company and RCF partner who maintains a large inventory of cabinets.

“There is a variety of music on the stages,” said LaRochelle. “We can go from a classic rock act to hip-hop to pop in a matter of hours. I wanted to deploy rigs that sounded good and would handle the demands of the acts. I also wanted to get some time with the large format HDL50 rig,” And upon doing so, “All I can say is it was impressive. This was a good choice and certainly something the touring engineers were happy with.”

“Anytime you have a large event and a seasoned company like SCL trying something new, you always want to do everything you can to make sure things go right,” said AudionX owner Chris LaRocque. “RCF has always been a great partner and as usual their support team was available to us. They even brought in their worldwide support specialist Oscar Mora to assist us.”
Corporate
More than 200 distributors and dealers from 120 countries joined the RCF ground-breaking Open Days 2018. Four days full of professional updates, new products showcase with Product Managers and Indoor/Outdoor product demos, to test and understand RCF’s extensive catalog. Above all, the event focused on many upcoming products, the growing HDL System, the passive short-throw E MAX, and the new mixing consoles.

Introduced one year ago to wide appreciation, the RCF FiRPHASE algorithm is ubiquitous among RCF active speakers. In addition to the smooth 0° phase response, FiRPHASE harmonizes the RCF signature sound among the RCF catalog and simplifies the match between speakers, allowing a coherent sum on all frequencies without any loss of quality. Line arrays such as HDL 50-A, HDL 30-A, and the new HDL 28-A are thoroughly compatible, so there is no more need for all-pass filters or other intricate tweaks; the system can now be deployed and tuned faster than ever. The new HD 15” series of HD 15-A, HD-35, and HDM 45-A point source speakers, with a modern and sleek full-grille design, and the new TT 08-A II, TT 10-A and TT 20 CXA TT+ range speakers are FiRPHASE compatible as well. 

The general timbre of the system can then be adapted to the sound engineer’s taste thanks to the RDNet networked monitoring and version 3.1 management software, launched during the Open Days and soon available. The internal High Pass Filter on each RDNet-equipped cabinet’s DSP can now be modified, allowing better phase/frequency precision, while the new Bass Shaper algorithms let the system engineer achieve the favorite timbre on low frequencies, maintaining the desired tonal balance.

Showcased and promoted as a reliable and good-sounding mixer, the F series mixing consoles suits a wide range of applications. The advanced DSP technology and thoughtful design, inspired by the E Series professional mixing consoles, features a fully balanced analog path and amazing routing capabilities. Introduced first in the M18 digital mixing console and now available in the E series analog mixers, the Z.CORE DSP is now broadly acknowledged among sound engineers as one of the most effective DSPs for both analog and digital mixers. This technology inspires the FX section of the F Series and will be the solid ground for new exciting developments in RCF digital products.

RCF’s legendary hospitality was highly appreciated, thanks to the comfortable new premises and the availability and professionalism of the product managers, product specialists and the combined effort of RCF USA, RCF Germany, RCF France, RCF Austria, RCF Benelux, RCF UK, and RCF Spain international offices. The success of the Open Day 2018 couldn’t have happened without the solid relationship of RCF’s partners all over the world, and that deserves a big thanks from the entire RCF team.
Installation
Lille-Lesquin (France) - Place des Oliviers is a place both authentic and modern. It is an ideal place to spend a moment of relaxation, offering a culinary experience, with exquisite French flavours of the south and a lounge area to enjoy tapas and appetizer boards. There is also access to a bowling alley to practice petanque with nine tracks—the summer-sport par excellence.

The chosen speaker series - RCF MEDIA - are the optimal sound for distributed acoustic coverage both for ambient music and party events. Controlled by an RCF DX1616 digital matrix and installed by Sonodistrib of Lesquin, the sound system develops into multiple areas with separated controls and practical mute functions easily managed from the ad-hoc map interface on the iOS control App.

A total of 32 RCF speakers have been installed, both outdoors and indoors, with six M801 plus 16 M601 for the internal spaces, and four S5012 subs. Six additional weatherproof MQ80P speakers service the petanque lawn—outside on the top of building roof! The entire system is powered by 11 RCF IPS 700 /1700 amplifiers and managed by a DX1616 matrix.

Aurelien Senaffe of Sonodistrib designed a dedicated interface with volume, zoning and mutes on iPad, to manage and gain secure control of the DX1616 via WiFi.
Event
When Tom Chennells merged his previous company Wavelength Entertainments into Yes Events back in 2011, he brought with him a clutch of RCF 905AS and ART 722AS loudspeakers. But he could little have realised that seven years later he would be operating three divisions from a 13,000 sq. ft purpose industrial unit, housing £2m of sound, lighting, staging, rigging, video and power equipment — including more than 200 loudspeakers from RCF (his sole speaker supplier). 

Yes’s recent addition of 24x HDL 6-A composite line array enclosures is the latest stage on a journey that took them from those early ART boxes to TT+ (TT25-A, TTS-28-A, TT 08-A lightweight monitors), and into the new technology of the Bluetooth enabled EVOX JMIX8.

With the company now split into three sections — Yes Events, Yes Production and Yes Hire — Chennells realises the value of having access to a product catalogue that covers all bases, and meets all budget requirements.

With a background in high-end DJ work he also sensed the value of being able to offer a turnkey infrastructure, while his love for RCF had blossomed during those earlier days when he was running pole-mounted ART series speakers with his roadshow.

Once he had merged Wavelength with Nick Ratcliffe’s Yes Events he was soon buying bigger TT+ systems, such as the TTL33-A, and today points to client requirements for more sophisticated production as the reason for his 20-30% growth in turnover during the past three years to a multimillion pound annual operation.

Why such a large RCF inventory? “You start by purchasing a few pieces of a certain product, and when you see such great results it’s an easy decision to keep adding further stock. Every box has a purpose — from the simpler standalone point and shoot boxes such as HD10-A, HD12-A and the very cost effective ART3 and EVOX ranges which make a great choice for wedding and rental customers.

“The rental stock extends through to a large amount of the premium industry leading TT+ and HDL. We should give special mention to the little TT052-A. It is so discreet that it is easy to hide away on corporate events at places such as The Shard and equally at home as lip fill in large shows.”

In the corporate world Yes Events has had the privilege to work with many A-list acts, Elton John, Beverley Knight, Duran Duran, Tony Hadley to name a few, along with corporate giants such as Disney, while they have provided PA for many sporting events right across outdoor venues and arenas the UK.

Aside from budget considerations, and RCF’s legendary matched componentry of their active systems, what other compelling reasons are there? “Simple,” says Tom. “You don’t need to do much to the systems on set up. 99% of the time you just plug in, stand back and it sounds great.

With limited set-up times at some shows this is a massive attribute. There is also a good rental network of RCF users now and great support from RCF UK … it’s a nice relationship.” Anyone who attended the recent RCF Open Day at G-Live in Guildford will have noted how Tom Chennells evangelised the HDL6-A (hence Yes’s recent investment). “The cost and weight are amazing for what it can deliver and it’s a great way to get people into a focused sound system with so much control over directivity. At G-Live we put up eight [elements] with a flybar per side; this system comfortably throws 50 metres and yet it weighs less than 100kg a side, which is amazing.”
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