Corporate
Italian loudspeaker manufacturer RCF has announced that it has appointed Electric Sound Benelux BV as distributor of its Commercial Audio, Installed Sound and Forum product lines in the Benelux region.
Electric Sound will take over distribution of the lines – which include RCF’s VSA and voice-evacuation products.
Lars Yoshiyama, RCF Sales Manager for Commercial Audio and Congress Systems, comments: “Electric Sound is a distributor with decades of history and we are very proud to be represented by such a renowned and successful company in this key European region.”
Established for over 60 years, Electric Sound has a clear focus on premium brands and added value, with an uncompromising passion for quality that enables it to sell not just single products but integrated systems, carefully tailored to meet the needs of the many audio architects with which the company has long-term relationships. In this respect, it is the perfect partner for RCF, a firm that shares a similar passion for sound and a commitment to providing service and support to its dealers.
Mr Yoshiyama concludes: “Electric Sound’s breadth and depth of experience are such that as well as being a partner in RCF’s distribution network, the company will become a valuable resource for our R&D programme, contributing unique insights that will allow us to develop and promote new products that meet the needs of end-users in the Benelux market.”
Electric Sound Benelux BV Radioweg, 12 1324 KW Almere, The Nederlands Tel: +31 (0)36 54 600 20 Fax: +31 (0)36 54 600 29 www.electricsound.com info@electricsound.com
Electric Sound Benelux BV Ikaroslaan,1 1930 Zaventem, Belgium Phone: +32 2 7887300 Fax: +32 2 7887301
Corporate
Peter Branders Media Sound erweitert sein Studio mit RCF Mytho Monitoren.
Einer der besten Gitarristen Dänemarks und einer der am härtesten arbeitenden Persönlichkeiten des Musikbusiness – sind ein und dieselbe Person.
Er hat mehr als 1000 Alben produziert, mehr als 5000 Live Gigs absolviert und 42 verschiedene Gitarren in seiner Sammlung – Peter Brander ist eine Legende der dänischen Musikindustrie.
Als Produzent hat Peter Brander seinen unverkennbaren Fingerabdruck auf Dutzenden auf dänischen Rockklassikern hinterlassen. Für viele dänische Rock- und Popikonen war Peter Brander – und ist bis heute – einer der unentbehrlichsten Sounddesigner, sei es als Produzent im Studio, als Techniker bei unzähligen Konzerten oder als Gitarrist und Backup-Sänger live und im Studio. Ferner hat er eine Reihe von internationalen Künstlern produziert und ist berühmt für seine unglaublich rockigen Mixe.
Alles begann vor 34 Jahren mit dem Rock Tape Studio – einem bescheidenen Standort, der schnell zur ersten Adresse wurde, wenn man den richtigen Rocksound wollte. Das Studio war rein analog ausgelegt, die dort produzierten Alben allerdings hatten einen solch klaren Sound, dass jeder glaubte, es handele sich um digitale Aufnahmen.
“Ich habe meine Aufnahmegeräte immer sorgfältig ausgesucht und gelernt, das Äußerste aus ihnen herauszuholen. Das Rock Tape basierte komplett auf altem Equipment und einem hellen Kopf, der daran herum schraubt, um das Rauschen wegzubekommen – und dadurch klang es moderner”, sagt Peter Brander mit einem Lächeln.
Um das Rockimage abzulegen, änderte er den Namen des Studios in Media Sound Studios und begann nach und nach, das Studio mit zusätzlichen Mischräumen und jeder Menge neuem Equipment und Digitaltechnik zu erweitern.
“Im Laufe der Jahre haben wir mehr Pop- und Jazz-Recordingsessions gemacht, aber glücklicherweise konnten wir gleichzeitig unsere Position als bevorzugtes Studio für Rockaufnahmen beibehalten. Deshalb habe ich mich entschieden, ein neues Gebäude zu beziehen und somit zwei Mischräume und einen großen Aufnahmebereich zusammenzulegen”, so Peter Brander.
Durch die Anschaffung einer großen SSL-Konsole m Hauptmischraum sowie einer Reihe von externen Geräten und die Aufstockung (Upgrade) des digitalen Recordingsystems erfuhr das Studio eine wesentliche Aufwertung.
Die Kundenliste im Media Sound Studio ist lang. Mehrere Platin- und Goldalben dekorieren die Studiowände von Künstlern wie: Big Fat Snake, Kashmir, Dizzy Mizz Lizzy, DAD, Michael Falch, Sort Sol, Walter Trout, Erann DD, Peter Viskinde, Nikolaj & Piloterne, Royal Hunt, Outlandish, Mike Tramp, White Lion, Nerve, Innocent Blood, Rockers by Choice, DJ Encore, Seven Thorns, The North, Lars H.U.G und vielen anderen mehr.
2011 wurde das Media Sound Studio mit einer neuen Mastering-Suite erweitert, in dem kürzlich ein Paar RCF Mytho Studiomonitore installiert wurden.
„Ich habe lange nach der richtigen Lösung für einen Mastering-Monitor gesucht. Wir haben etliche Nahfeldmonitore getestet, ohne den richtigen zu finden, der perfekt zu den alten Sachen passt, die wir bereits haben. Dann hat mir jemand empfohlen, einmal die RCF Mytho Lautsprecher zu testen. Also habe ich den dänischen Distributor SC Sound kontaktiert, und sie haben mir die Speaker geliefert. Als ich das erste Stück darüber abhörte, muss ich sagen, war ich positiv überrascht. Ich kannte RCF schon seit vielen Jahren von meiner Live-Arbeit als FOH und Musiker her als gute Marke – aber ich hatte noch nie etwas von den Studiomonitoren gehört. Hier saß ich also und hörte Lautsprecher mit einer solchen Klarheit und guten Trennung der Höhen, Mitten und Bässe. Ich habe mich gefragt, ob ich wirklich einen Nahfeldmonitor höre, da der Sound so kraftvoll und doch durch alle Bereiche hindurch klar war. Sofort sagte ich: Das ist mein neuer Monitor, und sie sind jetzt in der Mastering Suite installiert, aber ich werde sicher noch weitere Pärchen für die anderen Studioräume anschaffen“, sagt Peter Brander.
Produktspezialist Lars Holm von SC Sound hat die Lautsprecher geliefert und half auch beim Finetuning.
“Es ist begeisternd, wenn man Peter Branders Media Sound einen modernen Studiomonitor liefern kann. Dieses Studio ist solch eine Legende, insbesondere mit all den professionellen Musikern, die über die Jahre ihren Weg in das Studio gefunden haben, um hier aufzunehmen”, sagt Lars Holm von SC Sound.
Neben all der Studioarbeit findet Peter Brander immer noch Zeit, sein eigenes Repertoire auf der Bühne zu präsentieren. Vier Soloalben hat er veröffentlicht. Sein letztes Doppelalbum “No Compromises” hat gute Kritiken bekommen und wurde als eine der besten West Coast Blues-Veröffentlichungen des Jahres 2011 gefeiert.
Mit dem neuen Material will Peter Brander 2012 mit den Musikern Kasper Foss, Jimmy Ostbygaard, Soren Kuhle, Anne Murillo & Gry Trampedach auf Tournee gehen.
“Es ist immer ein Vergnügen, auf der Bühne zu performen und als FOH-Techniker schaue ich immer, wenn ich auf Tournee bin, welches Soundsystem benutzt wird. Ich habe im Frühjahr dieses Jahres das RCF TT+-System bei einer Demo in Kopenhagen gehört und es war echt beeindruckend. Das System ist sehr kompakt und liefert hohe Schalldrücke ohne Kompromisse, genau wie meine RCF Mytho-Lautsprecher. Ich denke ernsthaft über dieses System nach, denn so kann ich meinen Studiosound auf die Straße bringen. Das liebe ich”, sagt Peter Brander.
Mehr über Medias Sound Studios sehen Sie hier: www.mediasound.dk
Foto: Carsten Weide
Event
Before Macy's packs away its famous floats from the Thanksgiving parade the chain of department stores begins to roll out events to celebrate Christmas – animated window decorations and visits with Santa Claus top the list.
This year Macy's kicked off their holiday campaign with day-long events that included an assortment of live entertainment including performances by former Destiny Childs singer Michelle Williams, American teen R&B, pop singer Jasmine V, Philadelphia indie rock band The Young Statues and local children's choirs.
Production company Mitta Sound, based in Philadelphia, has been a long-time supplier of sound reinforcement for special events held at the stores located in Philadelphia, Baltimore, Washington D.C. and New York City. Once again they were tapped to pull out all of the stops to ensure that this holiday season started with a bang.
"The Winter Wonderland campaign is a big event for Macy's," explains Terrence McDuffy, owner of Mitta Sound. "Each event typically starts with the outdoor arrival of Santa Claus which rolls into live performances in the main atrium along with supplemental music in various departments throughout the day."
As he has in the past, McDuffy utilized an assortment of RCF loudspeakers to handle the diverse needs of the event.
The Philadelphia store Winter Wonderland Celebration kicked off with Santa arriving outdoors in his sleigh to the sound of members of the Philadelphia Theatrical Company dressed in old-fashioned garb and singing carols at the store entrance.
McDuffy equipped the choir with three stand-mounted Beta 87 handheld transmitters tied in to a Shure UHF-R wireless microphone system to ensure they were heard above the crowd. A pair of pole-mounted RCF NX M25-A MK II loudspeakers covered the crowd. Two RCF TT25-SMA monitors positioned in front of the choir completed the setup.
Santa, equipped with a Shure UHF-R body pack with a WL185 lavalier microphone greeted the crowd and was followed by the store manager and other guests speakers welcoming customers to the event.
Once indoors, most customers gravitated toward the center atrium where a stage area was set to host the live performances by Philadelphia Boys Choir, Jasmine V and the Young Statues.
"It was very important to the store that site lines to the main stage were as clear as possible," explains McDuffy. "We used a pair of the RCF TT22-A loudspeakers on stands set to the left and right of the stage – because they have a small footprint, sound great and throw really far. They never fail to impress me."
The TT22-A is a compact, 2-way active system featuring 12" neo woofer and a 90 x 40 constant directivity horn (90 degree rotatable) weighing it at just under 20 pounds.
A pair of RCF TTS36-A subs were located off of each side of the stage for additional low end. McDuffy placed another pair of RCF TT08-A loudspeakers on store display stands located 30 feet out from the stage in the same left-right configuration to distribute the audio further into the store.
Because of space constraints, he opted to use the PreSonus StudioLive 16.4.2 mixer for both FOH and monitor mixing during the Philadelphia event.
"Normally I would put our Avid SC48 at FOH and use the StudioLive for monitors – but space was really, really tight in the store," he explains. "And actually, StudioLive can do everything we need very well. It was a bigger job for the engineer to manage both mixes but easily done with PreSonus board."
McDuffy again used the Shure UHF-R wireless microphone system with Beta 57 handheld microphones for the indoor entertainment.
"We used 10 channels of the UHF-R for the choir alone," he adds. "There were easily 80 or more vocalists in the group and we covered them all – it sounded magnificent."
Two of the RCF TT25-SMA and TT08 loudspeakers – four total -- were placed in front of the stage area as monitors for the talent.
"We did a quick sound check before the event began and then just took it from there," McDuffy says. "The live entertainment occurred in a two hour window, so once we started it just kept going. Fortunately we have never encountered a group that was not delighted with the sound of the RCF loudspeakers, so that wasn't an issue, and everything went off without a catch."
Additional pairs of TT08-A loudspeakers, equipped with Christmas playback music, were also set up in the men's and women's departments to further the holiday atmosphere of the lively event.
"It probably seems like we use a lot of the TT08-As in different ways, and we do," he adds. "Those boxes are our workhorses – we use them for everything and they never disappoint."
Each of the day-long events were scheduled within days of each other keeping the Mitta Sound crew very busy before Thanksgiving.
"Each of the holiday kick-offs were really compact events," McDuffy concludes. "We have everything racked and ready to go in the warehouse the day before and then roll on site and get it all setup within two hours. The RCF loudspeakers being self-powered cuts down dramatically on setup time".
"Because the stores have similar layouts each event required minimal tweaks to the system. It seems kind of crazy but works really well. The customers think it is terrific and the stores are very happy with the results."
Installation
RCF’s powerful Acustica series, especially tuned for nightclubs, has been specified throughout No Saints’ new flagship nightclub, Wonderland in Maidstone.
The former 1800-capacity Liquid has been reshaped, from a circular into square dancefloor in the vast main room (called ‘Tomorrow’) with four pairs of the new H1312 throwing tightly dispersed, directional energy onto the dancefloor from their position high up on the lighting rig.
Says the club’s head of promotions, Richie Carrera, “The sound system competes with anything you will find in a UK nightclub. It’s as close to a Ministry of Sound experience as you will get.”
The three way system, run in biamped mode, incorporate a 12” woofer, a 8” cone midrange and a 1” exit titanium compression driver for long throw applications, and is complemented by four floor-standing TTS28 subs — two in front of the stage and two in front of the DJ booth.
However, it’s not just dance music that these speakers are tasked with reinforcing but a range of events, including boxing matches, fashion shows and high profile artiste PA’s.
From the moment clubbers enter via the escalators, they are immersed in a world of advanced sound and lighting, specified and designed by Mark Damon of Essex-based Cosmic Electronics.
His company has a long trading history with RCF. “We have used RCF components throughout the club,” he confirmed. “Because No Saints wanted an open plan venueeverything had to be flown, with the bass bins on the floor; but everyone is delighted with the coverage, and the clarity of the system.”
The H series has a very narrow angle dispersion and can be focused accurately, enabling the sound to drop off dramatically away from the dancefloor. “As this is a multi-tasking cab it is perfect for the many different promotions planned by the club, including artiste PA’s,” says Damon.
The club’s experienced general manager John Barnes also describes the sound as being “phenomenal” — particularly in the upper frequencies — and says it has been wowing audiences at both the indie Propaganda Friday night promotions and their own regular Saturday nights.
Away from the dancefloor, Cosmic have turned to RCF’s C3110 wide dispersion/nearfield boxes for peripheral sound, with eight dispersed around the main club and a further eight in the reception and entrance areas.
Meanwhile, the venue’s subsidiary ‘retro’ club (called ‘Yesterday’) hosts four RCF C5212W 12in enclosures and two S8028 (2 x 18in) woofers with C3108’s, used both for peripheral sound here and as the main VIP Room system, where two S8015 (1 x 15in) woofers also provide LF extension.
Powering the rig are a combination of RCF’s HPS 1500, 2500 and 3000 and 1500, operating in standard or bridge configuration, while RCF AM2080 and AM2320 100V line mixer amps are assigned to running the exterior speakers on the smoking terrace. It is worth mentioning the amp rack — as it must be the only one in the country that is swathed in a constantly changing colour wash, initiated by LED tape!
In summary, Mark Damon says of the Acustica series, “We had not used the H series previously — we took it on recommendation and we are pleased that we did. Because it would be suspended so high we needed a long throw cab that was more high-powered than the C series" — and this really delivers.
“The entire RCF rig is reliable, dependable and we have had no issues. The back-up has been excellent and whether we are equipping small or large floors, RCF has a cabinet suitable for each scenario.”
And John Barnes is equally effusive. “Having worked here previously I wanted to make Wonderland an entirely different clubbing experience — designed more like a rock ‘n’ roll arena with a festival type atmosphere".
“The RCF sound system goes a long way to helping us achieve that, and so far we have had a brilliant reaction.”
Installation
The Station is a new partnership project aimed at delivering a world-class, 32,000 sq ft facility for all young people in Bristol.
Fronted by Creative Youth Network, and based in a former city centre fire station — which at various times has functioned as a café bar and nightclub — the technical infrastructure was created by Stage Electrics, who leaned heavily towards RCF’s Acustica speaker series when specifying the multi-functional main performance space.
Anne Pengelly, Stage Electrics Business Development Manager (Technical), says that RCF is increasingly becoming her ‘go to’ brand when it comes to loudspeaker specification. “I am always keen to bring RCF to clients’ attention, particularly Acustica; once they have experienced a demo they are generally convinced.”
Realising that the main 500-capacity Multi Use Room needed to function variously as a live performance stage, a conference and presentation facility and a 7.1 surround cinema system, the RCF solution, she says, was staring her in the face.
“The biggest requirement was clearly flexibility,” said Pengelly. “We had provided a similar Acustica installation in a 200 seat theatre in a school in Cornwall. The result was spectacular — and the audio quality of the RCF PA exceeded all expectations so we didn't need to look beyond that.”
Under the direction of Stage Electrics project manager Richard Coombes, the ground floor Kitchen, Chill Out room, rehearsal/recording room and ballet / dance studio on the top floor were all sensitively equipped, with a close eye on the budget.
Again RCF ticked all the boxes. Four of the new RCF Acustica C5212-94 full range narrow dispersion enclosures are flown in pairs left and right above the Prolyte StageDex stage, with a pair of Acustica C3110 grid-mounted at the mid point and a further pair at the rear. These either form the surround when in 7.1 cinema mode or act as delays when the BSS London BLU DSP gain preset flips to conventional stage mode.
At the stage end a pair of Acustica S8018 subs are floor mounted left and right, and four RCF NX12SMA powered wedges provide artistes with their reference sound.
A perfect set-up then for Tinchy Stryder, who appeared to a packed audience on a gala opening weekend that was also attended by David Milliband.
Elsewhere a pair of powered RCF ART310-A form part of a portable kit on tripods, that is capable of moving around the three floors, while a further pair of ART310-A’s are fixed in the band practice room — and four passive ART 310’s are mounted on the four corners of the Dance Studio.
But RCF’s involvement doesn't end there. Stage Electrics designed the venue into five paging and show relay zones — three backstage areas and two at front of house. Showing the versatility of its portfolio, from its Commercial range RCF has also provided 12 tiny DM41 white background/paging speakers, which are distributed around the venue.
Richard Coombes has overseen a highly progressive install, with all projection (onto 6m electric dropdown screen) and digital audio run over CAT5 — with plenty of tie-lines and facility panels provided, so that live events can be recorded upstairs and on spec acoustic performances can take place in, for example, The Kitchen refectory area.
Sensitive to the budget they have also provided leading branded video projection, lanterns and moving lights from ex hire stock and provided a full day’s PASMA (access tower training) course as part of a package that includes comms, staging, curtain track, wireless mics, environmental and production lighting control and dimming.
All of which should be more than satisfactory for Creative Youth Network and its Chief Executive, Sandy Hore-Ruthven, who stated, “Stage Electrics have helped make The Station a first class venue for young people in Bristol. Their expertise, project management and support took Creative Youth Network from an idea with no knowledge to a fully functioning venue that is inspiring young people across the city.”
But the final word on the RCF sound system comes from Programme Director, James Hutchinson, who confirmed, “The [RCF] system will be suitable for all of the events taking place in this venue.”
Key partners of The Station include: Bristol City Council, Young Bristol, Business West, Brook, Basement Studios & Bristol YMCA. The Station is partly funded by the myplace scheme: a multi-million pound government programme to deliver world class places for young people to go.
More details available on www.thestationbristol.org.uk
Event
The 47th Pori Jazz Festival took place recently in the Finnish west coast city.
The annual event was held over nine days, during which there were 126 concerts — 89 of which were free — taking place in a total of 14 venues. The atmosphere and attendance were again excellent, with Pori Jazz selling 48,000 tickets, while in total around 140,000 people attended.
One of the venues used for experimental and modern music was the 150-capacity Ultra Music Nights @Theatre. Here Noretron Communications, RCF’s Finnish distributor, equipped the small stage with a potent but discreet TT+ Theatre & Touring active column speaker array system for a series of sold-out shows.
By deploying six TTL11-AH/AB assemblies and TTS26-A subwoofer (in Left/Right configurations), managed by the dedicated RDNet control interface, a superior audio performance was ensured, with excellent coverage and low visual impact.
In total more than 30 RCF TT+ Series cabinets were in use in five different stage locations during the course of the festival, including ten TT25-SMA monitors on the Pori Theatre stage, four TT25-SMA on the Jazz Street Stage, six TT25-SMA (along with two NX L23A and 4PRO 8001AS) on the Voodoo Stage, four TT25-SMA on the Garden Stage … along with an additional ancillary NX and ART Series speakers.
According to Pori Jazz Festival’s production manager Jari Leskinen, from a production viewpoint the festival was a major success, with the 100 or so RCF loudspeakers on duty performing superbly.
Event
Edison, NJ - October 2012… 28-year-old country music star Levi Riggs believes that "fans deserve a great show, great music and it should be heard on a great sounding system."
He recently backed up this point by upgrading to a RCF D LINE active line array system which he purchased from Soundworks Systems in Stevens Point, Wisconsin.
"I had been touring with a different system for the last year or two but as my fan base has grown so has the size of the venues I perform in," Riggs explains. "It was important that I have a system that could produce the volume I need without any distortion. When I heard the D LINE array I knew it was exactly what I was looking for."
The system, which consists of eight HDL20-A line array modules and four SUB 8006-AS subwoofers, more than accommodates the current and future needs of the upcoming talent.
"Because it's scalable we can use four HDL20-As and two of the SUB 8006-AS subs to great effect in smaller venues or add more tops and bottoms seamlessly for more coverage at larger shows," says Riggs. "It has also been extremely useful to be able to adjust the arrays so that they are covering audience areas directly in front of the stage or up in a mezzanine – it makes the system exceptionally flexible."
The self-powered HDL20-A cabinets feature a 1400 watt peak power 2-way digital amplifier with sound processing provided by proprietary DSP. The processing includes cluster and HF projection correction and special new presets for indoor and high curving situation.
Each module is loaded with state-of-the-art RCF transducers, two high output 10-inch drivers for solid bass reproduction and a large format 3-inch voice coil compression driver to deliver the vocal clarity and high definition that Riggs demands.
The Sub 8006-AS subwoofer is an active, high-power subwoofer featuring two 18-inch transducers with 4-inch inside/outside voice coils. Powered by a 2500 watt digital amplifier module, the SUB 8006-AS provides driving low end for the most demanding situations.
"The subwoofers absolutely blow my mind," Riggs adds. "With dual 18s in each of them you really get that thump in your chest that you want from a sub."
With an incredibly busy touring schedule during the next couple of months Riggs and his team will be breaking in the new RCF D LINE system throughout the Midwest.
"I have been amazed at how well the system works," Riggs concludes. "The vocals cut through the mix, the low end is terrific – I really couldn't ask for anything more."
Installation
Fast growing leisure operators No Saints have converted a former nightclub in Milton Keynes, the centerpiece of the Xscape Entertainment hub, into the surreal environment known as Wonderworld.
This new 1800 capacity themed venue has been designed into a nightclub twin-scene, respectively named ‘Tomorrow’ and ‘Yesterday’ — set around a Secret Garden’ (set behind wrought iron gates) and a resplendent red VIP lounge.
Working with main contractor, Optik Leisure, installation company Nightlife Consultancy has equipped all these zones with RCF loudspeakers, part of a complete multimedia integration. They were selected for their high performance, evenness of coverage and unobtrusive footprint. Their product selection ranges from the strident TT+ subs, set on the truss over the main Tomorrow dancefloor to the stylish, powered Art enclosures, playing background music in the private boutique Mind, Soul & Body rooms. All passive elements of the system are powered by dedicated RCF amplification.
Having worked with the brand back in Monitor 5 days, system designer Mark Dorney was familiar with RCF’s pedigree and chose it primarily for the clarity it delivered from different sound sources; this includes live bands, hard dance tracks from the DJ’s brace of Pioneer CDJ 2000’s, and background music from MP3 players. He said he always knew RCF drivers sounded “fabulous” — and again it has lived up to expectations.
Working within an ‘enchanted’ environment sensitively conceived by Terri Naylor of Dakota Design, he designed a digital network architecture, based around a dbx SC-32 digital matrix.
For general purpose he chose RCF’s Acustica C3108 compact, wide-dispersion, low visibility speakers. Six of these distributed in the Secret Garden, accompanied by three complementary S4012 subs, set discreetly behind unobtrusive grilles, will take any of the above feeds — selected locally from the remote ZC-1 zone control wall panels.
The DSP itself contains several EQ scene presets including: Main club scene; Fire evacuation; Conference mode; DJ stage and live band mode.
Stroll through the labyrinth of corridors and walkways, past disorienting infinity mirrors, fibre glowing ‘oak’ trees and astroturfed walls, and into the toilets, and the aural experience will be forever delivered via large quantities of RCF’s PL60FD flush-mount 100V line ceiling speakers.
Three of the most coveted spaces are the themed private lounges, with Regency styled chairs, named Mind, Body & Soul, complete with their own 46” HD TVs, controllable from an Android tablet, and minibars. Customers can choose their own sound source and in these bijou spaces Nightlife has sited a pair of RCF ART 408-A MII enclosures, accompanied by Ayra 10 active subwoofer. “This is a lovely sounding box,” states Mark Dorney of the latter. “The 10in box remains discreet but has a lot more juice than the Ayra 8 — and this is vital if they want to hold a karaoke session.”
The journey through time continues into the large nightclub, named ‘Tomorrow’ (dubbed ‘The Playground of the Future’). Around the periphery of the dancefloor Dorney has chosen six of RCF’s C3110 full range speakers, with rotatable horns, set in portrait mode — and it was this flexibility of of orientation that drove his decision.
But his carefully worked system design came unstuck when he was prevented from floor standing the subs he had earmarked. “It was also impractical to put them in the bulkhead so we had to fly them from the circular Prolyte overhead truss,” he reports. Instead Dorney turned to RCF’s TT+ (Touring & Theatre) range — selecting six TTS28 direct radiating, large format subwoofers, using flyware from Rope Assemblies.
Interspersed between are six RCF Acustica H1312 three way horn loaded controlled dispersion enclosures — chosen for their combination of low weight and “punchy crispness.” Some near fills provide extra presence at the stage, where a stylish DJ workstation has been bespoke manufactured by Nightlife Consultancy to house all the CDJ’s, DJM-2000 mixer and Soundcraft MFX20 band mixer.
Concealed behind a faux bookcase is a door leading to the VIP Lounge, alive with LED and red furnishing, which contains six further RCF C3108s in landscape format and two S4012 subs in each corner.
Finally, upstairs in the monochromatic black, chrome and stainless steel world of ‘Yesterday’ six C3108’s take care of the peripheral sound, while on the high-energy dancefloor two RCF S8028 (2 x 18) subs provide LF extension to the six low profile C4128 (2 x 8) boxes — flown horizontally — a perfect footprint for the low-clad ceiling and for the directional punchiness required, according to Mark Dorney.
The entire assembly of passive speakers is driven by RCF matched amps, with Nightlife Consultancy designing plenty of headroom into the system.
Assigned to Tomorrow are eight RCF DPS 3000’s, run in bridge mode, with one amp per sub. For the full range enclosures, three RCF HPS 2500, bridged in 4-ohm pairs, run the 12in LF section while the mids and high end are assigned to two HPS 1500s. Adastra 1U mixer amps run the distributed PL60 ceiling speakers while for ‘Yesterday’ (and the remainder of the venue) a DPS 3000, three HPS 2500s and two HPS 1500s have been specified — with UPS provided as back-up power supply.
Wonderworld general manager Jay Davidson, says the venue’s technology is a vast improvement on its predecessor, and credits Nightlife for the immense amount of work conducted in a short space of time. “The sound system is now phenomenal,” he says “The atmosphere has been transformed.”
Corporate
RCF’s MYTHO 8 reference monitor has scored a major success in the renowned Resolution Awards 2012.
It was voted Best Monitor by readers of the magazine in a fiercely competitive category that also included Adam Audio’s A77X, SE Munro’s The Egg and Unity Audio’s The Boulder.
MYTHO 8 is a two-way reference studio monitor equipped with two separate AB amplifiers — 200W for the low frequencies and 100 W for the high. This is designed to give it unparalleled low distortion characteristics, and a natural sound. It also features a unique “Impedance Control Coil” technology that has as primary effect the improvement of the temporal behaviour of the speaker, improving the crossover transition from the woofer to the tweeter and resulting in incredible midrange accuracy and perfect phase linearity.
It also features a high quality large metal dome tweeter and 8” neodymium vented woofer with large 51 mm voice coil that guarantees very high energy for tight and controlled bass reproduction and perfect thermal stability with minimum power compression. The magnetic circuit features a special air ventilation to reduce air compression, air noises and minimise distortion in large excursion situations.
With a dedicated high quality onboard DSP also provided on board, this feature set has captured the imagination of medium to large control rooms.
According to Resolution editor Zen Schoepe, “The awards major on quality and innovation and winning products are therefore judged to be exceptional in these terms.”
The nominations themselves were drawn from a panel of industry experts and practitioners and were voted for by registered Resolution readers — described as “the best informed readership in the industry.”
Corporate
Producer/DJ Benny Benassi is about to embark on one of his most extensive North American tours to date and has buddied up with worldwide leader in sound and audio, RCF. Stemming from a mutual hometown in Italy, RCF and Benny Benassi share a distinct zeal for the highest standard of excellence within their own fields, making the collaboration a natural fit. RCF will not only be decking out Benny’s tour bus with top of the range speakers but they will also be offering a pair to win. RCF are one of the worldwide leaders in superior audio equipment producing around 800, 000 speakers per year. Teaming up with Benny Benassi who truly appreciates RCF speakers felt natural. Benny comments “As a dj I am always around speakers and finding a good set is always a challenge. I genuinely love the sound quality of RCF speakers so when they offered to fit out my tour bus I was really excited. They’re even putting sub cabinets in the luggage hold, the sound system on the bus is going to be amazing”.
As an artist who prides himself on creating music of the highest excellence, it was remarkable Benny didn’t have to look any further than his hometown of Reggio Emilia to find a brand with a mutual ethos. RCF are offering one special fan, chosen at random, the chance to win a set Ayra 6 speakers - loud enough to blow your socks off - 2 tickets to a Benny Benassi show of your choosing (worldwide) and some special merchandise including an official branded iPhone 4 cover. If this all sounds like your kind of competition then head to Facebook, bennybenassi.com for more information. Regardless of whether you're lucky enough to see Benny on the tour or live on the other side of the world, everybody is welcome to enter. Setting off on Oct 17 and covering 17 shows, Benny Benassi is driving the Rough Road Bus across the States, starting in Texas and finishing in Canada on November 3rd. Supported by Krewella and Congorock as well as new kids on the block Pink Is Punk, who will be releasing their new single 'Perfect Storm' featuring Benny Benassi on Oct 16th through Ultra Music.
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