"A notoriously reverberating structure like the Arcimboldi Theater, created mainly for acoustic and non-amplified music, always struggles to manage the earth-shaking soundtrack levels like those of a video game, where low frequencies play a decisive role for the engagement of the gamers, and in this case for the public. The behavior of the RCF TT + system was, as we expected, exemplary! We were all really happy with the performance, the system contributed to the power of the orchestra without any burrs and with an impressive focus on the scene, also assisted by the powerful TTS 36 A. With only 4 double 18 "subwoofers, the low-frequency coverage was powerful even in the back rows. This was well noticed watching the enthusiastic and at times euphoric response of the audience. " The orchestra and choir, made up of about 100 Italian musicians, were mic’ed with over 160 microphones including more than 40 DPA 4099 instrument microphones and DPA 4011 stylus microphones on piano and harp.