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Event
Vibration Tour 2018, the summer tour of free concerts, was a success for Vibration Radio, a private French music radio station born in 1981. Four free concerts in the Center-Val de Loire region, provided an opportunity to bring together the artists of the moment, along with more than 72,000 people in the Center-Val de Loire region: Tours, Blois, Le Mans, Orléans, and Châteauroux. Different cities, different atmospheres, different artists such as Amir, Bob Sinclar, Boostee, Tal, Emmanuel Moire, Dadju, Kendji Girac, Soprano, Jeremy Frerot, Joyce Jonathan, Boulevard des Airs, Kungs and many others.

Vibration renewed its trust in XCPH Organization, the event company behind the tour, who were in charge of the whole management and technical production. With 30 years of experience, a vast fleet of trucks and 2000 square meters of warehouses full of first-class equipment, XCPH is not a traditional rental company.

“I have worked with RCF France since the beginning of this project, more than four years ago, and the choice of RCF was rather obvious. XPC is primarily an event company, so it does not have to answer to technical riders as a classical rental company; we can make our own choices based on our needs,” states Nicolas Fournier, technical director of XCPH Organization “I needed an excellent sound system, with effective networked control and a practical rigging system that only RCF could provide … not to mention the unbeatable price versus quality ratio.” 

The touring package comprised two clusters of 12 HDL 30-A, 10 SUB 9006-AS in different configurations depending on location - cardioid mode or end-fire (which allows the bass to be opened a little more on the outside and projected in front), two delays with four HDL 30-A, four HDL 6-A as front-fills and two outfills with TT5-A. This was all managed through the CR16 (CONTROL8 and DX1616 matrix).
Installation
Founded in the nineteenth century, Frankfurt University of Music and Performing Arts has it all – a rich history, a leading position among institutes of its kind, and a reputation for excellence in the performing arts. It offers more than 20 music, theater and dance programs attended by over 900 students.

The university recently put out a tender for a public address system to be installed in its foyer. Speech and music figure prominently at a college for the performing arts, so the prospective PA would have to satisfy some very lofty expectations. The foyer was to be covered from three angles with a directional system designed to the given architectural specifications. This PA would also have to tame the complex acoustics of a room with ceilings of different heights, a two-storey auditorium, and coverage zones with depths ranging from 15 to 25 meters. This client had some very specific ideas about size, looks and placement. Cabinets were to have a height of around 115 centimeters and be placed at a relatively flat angle so as not to jut out from the walls.

Auditions were held; the NXL 24-A came out on top. Made by the Italian vendor RCF, the NXL 24-A is an active line source speaker equipped with four custom-developed 6" RCF transducers, a compression driver with a 2.5" voice coil, and an asymmetrical horn with -25° / + 5° vertical and 100° horizontal directivity.

To meet Germany’s very strict fire safety regulations for public venues, RCF worked with the general contractor to develop a passive version of this speaker, with power amps housed in a remote central rack placed around 40 meters from the speakers.
Corporate
RCF will be participating in the inaugural NAMM Loudspeaker System Showcase (as well as our usual booth #18310). Held Thursday – Saturday at the annual Show (January 24-27, 2019) and under the guidance of the team from Live Sound International magazine, the systems showcase will take place inside the Anaheim Convention Center arena, giving participants the opportunity to demonstrate both their flown and portable systems in a real-world setting to a mix of industry professionals.

Stories



Event
Vibration Tour 2018, the summer tour of free concerts, was a success for Vibration Radio, a private French music radio station born in 1981. Four free concerts in the Center-Val de Loire region, provided an opportunity to bring together the artists of the moment, along with more than 72,000 people in the Center-Val de Loire region: Tours, Blois, Le Mans, Orléans, and Châteauroux. Different cities, different atmospheres, different artists such as Amir, Bob Sinclar, Boostee, Tal, Emmanuel Moire, Dadju, Kendji Girac, Soprano, Jeremy Frerot, Joyce Jonathan, Boulevard des Airs, Kungs and many others.

Vibration renewed its trust in XCPH Organization, the event company behind the tour, who were in charge of the whole management and technical production. With 30 years of experience, a vast fleet of trucks and 2000 square meters of warehouses full of first-class equipment, XCPH is not a traditional rental company.

“I have worked with RCF France since the beginning of this project, more than four years ago, and the choice of RCF was rather obvious. XPC is primarily an event company, so it does not have to answer to technical riders as a classical rental company; we can make our own choices based on our needs,” states Nicolas Fournier, technical director of XCPH Organization “I needed an excellent sound system, with effective networked control and a practical rigging system that only RCF could provide … not to mention the unbeatable price versus quality ratio.” 

The touring package comprised two clusters of 12 HDL 30-A, 10 SUB 9006-AS in different configurations depending on location - cardioid mode or end-fire (which allows the bass to be opened a little more on the outside and projected in front), two delays with four HDL 30-A, four HDL 6-A as front-fills and two outfills with TT5-A. This was all managed through the CR16 (CONTROL8 and DX1616 matrix).
Installation
Founded in the nineteenth century, Frankfurt University of Music and Performing Arts has it all – a rich history, a leading position among institutes of its kind, and a reputation for excellence in the performing arts. It offers more than 20 music, theater and dance programs attended by over 900 students.

The university recently put out a tender for a public address system to be installed in its foyer. Speech and music figure prominently at a college for the performing arts, so the prospective PA would have to satisfy some very lofty expectations. The foyer was to be covered from three angles with a directional system designed to the given architectural specifications. This PA would also have to tame the complex acoustics of a room with ceilings of different heights, a two-storey auditorium, and coverage zones with depths ranging from 15 to 25 meters. This client had some very specific ideas about size, looks and placement. Cabinets were to have a height of around 115 centimeters and be placed at a relatively flat angle so as not to jut out from the walls.

Auditions were held; the NXL 24-A came out on top. Made by the Italian vendor RCF, the NXL 24-A is an active line source speaker equipped with four custom-developed 6" RCF transducers, a compression driver with a 2.5" voice coil, and an asymmetrical horn with -25° / + 5° vertical and 100° horizontal directivity.

To meet Germany’s very strict fire safety regulations for public venues, RCF worked with the general contractor to develop a passive version of this speaker, with power amps housed in a remote central rack placed around 40 meters from the speakers.
Corporate
RCF will be participating in the inaugural NAMM Loudspeaker System Showcase (as well as our usual booth #18310). Held Thursday – Saturday at the annual Show (January 24-27, 2019) and under the guidance of the team from Live Sound International magazine, the systems showcase will take place inside the Anaheim Convention Center arena, giving participants the opportunity to demonstrate both their flown and portable systems in a real-world setting to a mix of industry professionals.

Event
The Eastern States Exposition, known as “The Big E,” set another attendance record this year with over 1.5-million visitors. It’s the only event in the country with a state fair-like structure in the nation where more than one state participates (six New England states partake). The 17 day event features daily Mardi Gras parades, a big top circus spectacular, 4-H and agriculture exposition, giant midway, car shows and daily entertainment on five stages.

All-in-all, the Big E schedule included over 200 shows on those stages. Massachusetts-based SCL Sound Systems has been providing production at The Big E for almost two decades. This year, owner and Production Manager Scott LaRochelle made the decision to use RCF powered speakers across all of the fair’s major stages. To accomplish this task, LaRochelle reached out to AudionX, a Vermont-based company and RCF partner who maintains a large inventory of cabinets.

“There is a variety of music on the stages,” said LaRochelle. “We can go from a classic rock act to hip-hop to pop in a matter of hours. I wanted to deploy rigs that sounded good and would handle the demands of the acts. I also wanted to get some time with the large format HDL50 rig,” And upon doing so, “All I can say is it was impressive. This was a good choice and certainly something the touring engineers were happy with.”

“Anytime you have a large event and a seasoned company like SCL trying something new, you always want to do everything you can to make sure things go right,” said AudionX owner Chris LaRocque. “RCF has always been a great partner and as usual their support team was available to us. They even brought in their worldwide support specialist Oscar Mora to assist us.”
Corporate
More than 200 distributors and dealers from 120 countries joined the RCF ground-breaking Open Days 2018. Four days full of professional updates, new products showcase with Product Managers and Indoor/Outdoor product demos, to test and understand RCF’s extensive catalog. Above all, the event focused on many upcoming products, the growing HDL System, the passive short-throw E MAX, and the new mixing consoles.

Introduced one year ago to wide appreciation, the RCF FiRPHASE algorithm is ubiquitous among RCF active speakers. In addition to the smooth 0° phase response, FiRPHASE harmonizes the RCF signature sound among the RCF catalog and simplifies the match between speakers, allowing a coherent sum on all frequencies without any loss of quality. Line arrays such as HDL 50-A, HDL 30-A, and the new HDL 28-A are thoroughly compatible, so there is no more need for all-pass filters or other intricate tweaks; the system can now be deployed and tuned faster than ever. The new HD 15” series of HD 15-A, HD-35, and HDM 45-A point source speakers, with a modern and sleek full-grille design, and the new TT 08-A II, TT 10-A and TT 20 CXA TT+ range speakers are FiRPHASE compatible as well. 

The general timbre of the system can then be adapted to the sound engineer’s taste thanks to the RDNet networked monitoring and version 3.1 management software, launched during the Open Days and soon available. The internal High Pass Filter on each RDNet-equipped cabinet’s DSP can now be modified, allowing better phase/frequency precision, while the new Bass Shaper algorithms let the system engineer achieve the favorite timbre on low frequencies, maintaining the desired tonal balance.

Showcased and promoted as a reliable and good-sounding mixer, the F series mixing consoles suits a wide range of applications. The advanced DSP technology and thoughtful design, inspired by the E Series professional mixing consoles, features a fully balanced analog path and amazing routing capabilities. Introduced first in the M18 digital mixing console and now available in the E series analog mixers, the Z.CORE DSP is now broadly acknowledged among sound engineers as one of the most effective DSPs for both analog and digital mixers. This technology inspires the FX section of the F Series and will be the solid ground for new exciting developments in RCF digital products.

RCF’s legendary hospitality was highly appreciated, thanks to the comfortable new premises and the availability and professionalism of the product managers, product specialists and the combined effort of RCF USA, RCF Germany, RCF France, RCF Austria, RCF Benelux, RCF UK, and RCF Spain international offices. The success of the Open Day 2018 couldn’t have happened without the solid relationship of RCF’s partners all over the world, and that deserves a big thanks from the entire RCF team.
Installation
Lille-Lesquin (France) - Place des Oliviers is a place both authentic and modern. It is an ideal place to spend a moment of relaxation, offering a culinary experience, with exquisite French flavours of the south and a lounge area to enjoy tapas and appetizer boards. There is also access to a bowling alley to practice petanque with nine tracks—the summer-sport par excellence.

The chosen speaker series - RCF MEDIA - are the optimal sound for distributed acoustic coverage both for ambient music and party events. Controlled by an RCF DX1616 digital matrix and installed by Sonodistrib of Lesquin, the sound system develops into multiple areas with separated controls and practical mute functions easily managed from the ad-hoc map interface on the iOS control App.

A total of 32 RCF speakers have been installed, both outdoors and indoors, with six M801 plus 16 M601 for the internal spaces, and four S5012 subs. Six additional weatherproof MQ80P speakers service the petanque lawn—outside on the top of building roof! The entire system is powered by 11 RCF IPS 700 /1700 amplifiers and managed by a DX1616 matrix.

Aurelien Senaffe of Sonodistrib designed a dedicated interface with volume, zoning and mutes on iPad, to manage and gain secure control of the DX1616 via WiFi.
Event
When Tom Chennells merged his previous company Wavelength Entertainments into Yes Events back in 2011, he brought with him a clutch of RCF 905AS and ART 722AS loudspeakers. But he could little have realised that seven years later he would be operating three divisions from a 13,000 sq. ft purpose industrial unit, housing £2m of sound, lighting, staging, rigging, video and power equipment — including more than 200 loudspeakers from RCF (his sole speaker supplier). 

Yes’s recent addition of 24x HDL 6-A composite line array enclosures is the latest stage on a journey that took them from those early ART boxes to TT+ (TT25-A, TTS-28-A, TT 08-A lightweight monitors), and into the new technology of the Bluetooth enabled EVOX JMIX8.

With the company now split into three sections — Yes Events, Yes Production and Yes Hire — Chennells realises the value of having access to a product catalogue that covers all bases, and meets all budget requirements.

With a background in high-end DJ work he also sensed the value of being able to offer a turnkey infrastructure, while his love for RCF had blossomed during those earlier days when he was running pole-mounted ART series speakers with his roadshow.

Once he had merged Wavelength with Nick Ratcliffe’s Yes Events he was soon buying bigger TT+ systems, such as the TTL33-A, and today points to client requirements for more sophisticated production as the reason for his 20-30% growth in turnover during the past three years to a multimillion pound annual operation.

Why such a large RCF inventory? “You start by purchasing a few pieces of a certain product, and when you see such great results it’s an easy decision to keep adding further stock. Every box has a purpose — from the simpler standalone point and shoot boxes such as HD10-A, HD12-A and the very cost effective ART3 and EVOX ranges which make a great choice for wedding and rental customers.

“The rental stock extends through to a large amount of the premium industry leading TT+ and HDL. We should give special mention to the little TT052-A. It is so discreet that it is easy to hide away on corporate events at places such as The Shard and equally at home as lip fill in large shows.”

In the corporate world Yes Events has had the privilege to work with many A-list acts, Elton John, Beverley Knight, Duran Duran, Tony Hadley to name a few, along with corporate giants such as Disney, while they have provided PA for many sporting events right across outdoor venues and arenas the UK.

Aside from budget considerations, and RCF’s legendary matched componentry of their active systems, what other compelling reasons are there? “Simple,” says Tom. “You don’t need to do much to the systems on set up. 99% of the time you just plug in, stand back and it sounds great.

With limited set-up times at some shows this is a massive attribute. There is also a good rental network of RCF users now and great support from RCF UK … it’s a nice relationship.” Anyone who attended the recent RCF Open Day at G-Live in Guildford will have noted how Tom Chennells evangelised the HDL6-A (hence Yes’s recent investment). “The cost and weight are amazing for what it can deliver and it’s a great way to get people into a focused sound system with so much control over directivity. At G-Live we put up eight [elements] with a flybar per side; this system comfortably throws 50 metres and yet it weighs less than 100kg a side, which is amazing.”
Corporate
RCF will highlight a vast range of new products at this year’s BITAM Show. The new RCF product line features innovative solutions, design upgrades and exciting new advances in audio technology. Following the HDL 30-A philosophy, RCF officially launches the two-way bi-amped line array HDL 28-A, featuring RCF’s proprietary RDNet Networked Management in a lightweight cabinet featuring high accuracy on voice intelligibility and the ubiquitous FiRPHASE.

Widely appreciated, and globally used as the primary portable system for on-the-go musicians and DJs, the EVOX speaker series showcase its new twin brothers, EVOX J8 and EVOX JMIX8. Built on the high-quality analog path found in the RCF professional E series, the new F Series mixing consoles comprises four fully-featured mixers from six to 16 channels, offering multi-FX, Single Control Compressors, and Recording capabilities.

The RCF booth will further exhibit the new range of touring TT+ speakers such as the TT 10-A, TT 08-A II, the double 8” low-profile wedge monitor TT 20-CXA and the innovative TTP/TTL 4-A. Because of the innovative rigging concept and a rotatable/swappable waveguide, the TTP/TTL 4-A is a brand new speaker concept worth a visit.

FiRPHASE processing drives all the new self-powered RCF speakers, allowing 0° phase compatibility between the entire RCF speaker range, delivering transparent sound, absolute clarity, and perfect sonic image to the listener. 

The RDNet Networked Management sees improvements with the 3.2 release, such as real-time air compensation, the inclusion of the Shape Designer, the RCF two-dimensional simulation software and the new Bass Shaper function, to achieve the desired timbre on low frequencies and maintain the desired tonal balance across the entire system.

Don't miss the opportunity to attend our product demos as shown below.

BITAM VI Edition
November 20th, 21st and 22nd 2018, Madrid (Spain)
Pabellón de Cristal, Recinto Ferial Casa de Campo de Madrid

RCF BOOTH 42

RCF DEMO SCHEDULE:
Tuesday 20th: 1st: 11:10 – 2nd: 13:15 – 3rd: 17:10
Wednesday 21st: 1st: 10:25 – 2nd: 12:30 – 3rd: 16:25
Thursday 22nd: 1st: 11:45 – 2nd: 13:35
Event
Dopo un completo restauro degli interni e un aggiornamento le tecnologie audio installando il piccolo e potente RCF HDL 6-A, il Tour Bus Red Bull ha solcato le strade estive della penisola italiana con il progetto LIVEIT. 

LIVEIT coniuga la presentazione di nuovi progetti artistici di musica indierock, electropop, hip hop italiana, con la possibilità di vivere un’esperienza del tutto originale, in località diverse l’una dall’altra, con delle produzioni di Festival che hanno nel loro DNA la buona musica con una particolare attenzione alle novità discografiche.

Il Tour Bus Red Bull si è fermato tra le piazze e le arene più belle d’Italia, al fianco dei migliori festival, per diffondere la musica e la voce delle band più interessanti della scena musicale autoctona, in collaborazione con MusicRaiser, Clockbeats e LePark Music Hub.

Il Red Bull Tourbus è un FIAT 309 degli anni ’60 che diventa sleeper-bus, sala prove e palco mobile. La dotazione tecnica è composta da 10 moduli HDL 6-A per lato e 4 potenti SUB 8004-AS. L’installazione è velocissima: il tetto del bus si trasforma in palcoscenico in pochi minuti, con truss laterali che contengono tutto il materiale illuminotecnico e i line array, installabili facilmente. Una volta appeso, l’array è ad oltre 5 m di altezza, in grado di coprire adeguatamente platee anche molto numerose.

"HDL 6-A è un sistema versatile, che unisce leggerezza delle componenti con un’ottima resa SPL. I SUB sono potenti e rotondi, l'impianto reagisce bene all’head-room del mixer ed ha una timbrica chiara e potente”, afferma Daniere Giraldi, sound engineer e titolare della SPS Audio che ha usato il sistema durante il festival L’Umbria che Spacca, “utilizzando già sistemi similari con SPS Audio, non abbiamo avuto il minimo dubbio nell’utilizzo del HDL 6-A."

Michael Gario - Freelance Sound Engineer, è sul Music Tour Bus di Red Bull in qualità di FOH Engineer durante il Reload Sound Festival. “Il sistema audio RCF a bordo del Music Tour Bus di Red Bull mi ha stupito enormemente sin dal primo ascolto”, commenta Gario “nonostante le ridotte dimensioni ha dimostrato subito di avere i muscoli per competere benissimo con sistemi audio ben più grandi. A livello di bilanciamento ho notato subito una piacevole freschezza sulle alte frequenze senza mai risultare fastidiose all’orecchio, medie frequenze perfettamente bilanciate e basse frequenze estremamente “punchy” senza mai sfociare in sub frequenze incontrollate. Un vero piacere per le orecchie.”
Event
Il Primo Maggio è da sempre un’occasione per festeggiare alla grande, ma quest’anno, i BRINGS, la band rock di Colonia capeggiata dai due fratelli Peter e Stephan Brings, hanno portato i festeggiamenti a un livello completamente nuovo con il loro May Polka Party.

Hanno organizzato un raduno con ben 13.000 fan e la partecipazione di personaggi famosi, suonando a colpi di rock alla Lanxess Arena di Colonia in uno show maratona di oltre quattro ore il giorno del Primo Maggio. E tutti coloro che non volevano andare a casa potevano partecipare a un party dopo lo spettacolo di ben tre ore.

La TSL Productions ha implementato i prodotti della RCF per offrire un sound degno di questa festa. I principali 32 moduli PA line array attivi a 3 vie HDL50-A (2x12", 4x6", 2x1,4") erano abbinati a 20 subwoofer SUB 9006-AS composti da 2 woofer da 18". Quest’ultimo sistema era formato da una serie combinata di subwoofer in configurazioni cardioidi end-fired e gap-toothed. L’RD-Net di RCF ha collegato i singoli sottocluster in un sottoarco con ritardi temporizzati per offrire una copertura uniforme dei bassi su tutta l’area.

Lo staff ha utilizzato 36 dei nuovi moduli superiori line array attivi di RCF HDL30-A (2x10", 1.4") in quattro cluster come side-fill e per arrivare ai posti in tribuna. Era la prima volta che venivano utilizzati assieme a 16 subwoofer attivi 18" VIO S118 di dBTechnologies, marchio parte dell’RCF Group, in una configurazione cardioide sospesa. Altri 18 moduli line array HDL-6” composti da 2 woofer da 6” fornivano il supporto near-fill.

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